Virtual SEA
Games and Gaming from Southeast Asia
The end of 2019 is approaching, so let’s look forward to the upcoming year! Which gaming highlights await us from Vietnam? The country is best known for its free-to-play games for smartphones and tablets, and one of the particularly good representatives last year was Boom Battlefield. But what about the developers who develop for PCs and consoles? Here are two exciting games that have been announced for 2020.
One could write a lot about Aeterno Blade II. That it is a hack’n slash played from a side perspective and sometimes changes back to a third person perspective. That the fights run smoothly, developing a good feeling of flow. That the time manipulation skills are a nice gimmick. That the graphics are pretty, but technically never exceed a functional quality. That the whole UI is way too small. That the story is confusing and, but the speakers do a solid job. That Aeterno Blade II is really difficult and is aimed at genre professionals. This is how Aeterno Blade II could be described.
Lately, our wordsmith Andreas has been commuting by subway frequently and therefore has more time to play on his mobile phones.This short mobile game mash-up features three gems from Southeast Asia that entertain him every day on the way to work!
Nintendo’s Switch console continues to be very successful, not least because many popular games are subsequently ported. So, it’s not surprising that developers Witching Hour and publisher Ysbryd Games from Singapore have also decided to re-release their tactical role-playing game Masquerada: Songs and Shadows for Nintendo’s Little Wonderbox. The game appeared already in May 2019.
For the second time only, the EGX took place in Berlin. As the little sister of the main event from the UK, the EGX Berlin has proved to be a small, but fine gaming event for interesting indies. The EGX pulls its great strength in comparison to big competitors like the Gamescom from its family-friendly environment, short distances and waiting times as well as an altogether relaxed visit. Although blockbusters such as Cyberpunk 2077 and Final Fantasy 7 Remake were also presented and were largely playable themselves, the focus was, as in the year before, on the small indie pearls. At least half of the show floor was dedicated to these games and there was one or the other highlight to discover and try out. In addition to many German and European projects, two games from Southeast Asia also found their way to the EGX Berlin 2019. We at Virtual SEA seized this opportunity to send Andreas to the event to try out these two titles for you.
It’s clear that inspiration for this game was the popular platform adventure Limbo. But unlike its role model, Incubo fails to achieve its brilliance. Too immature are the mechanics, too dirty the programming and too simple the style. Nevertheless, Incubo is perfect for those who are not afraid of any challenge and are interested in scary stories outside the mainstream.
Actually, Virtual SEA is indeed a platform for games from Southeast Asia. Rarely enough, however, Southeast Asia is used as a venue for games from other regions. The British studio Cloak and Dagger Games dares to leave well-known settings and publishes with Sumatra – Fate of Yandi a point’n click adventure set in Indonesia. We would like to take this opportunity to take a closer look at the game.
The end of 2019 is approaching, so let’s look forward to the upcoming year! Which gaming highlights await us from Vietnam? The country is best known for its free-to-play games for smartphones and tablets, and one of the particularly good representatives last year was Boom Battlefield. But what about the developers who develop for PCs and consoles? Here are two exciting games that have been announced for 2020.
One could write a lot about Aeterno Blade II. That it is a hack’n slash played from a side perspective and sometimes changes back to a third person perspective. That the fights run smoothly, developing a good feeling of flow. That the time manipulation skills are a nice gimmick. That the graphics are pretty, but technically never exceed a functional quality. That the whole UI is way too small. That the story is confusing and, but the speakers do a solid job. That Aeterno Blade II is really difficult and is aimed at genre professionals. This is how Aeterno Blade II could be described.
Lately, our wordsmith Andreas has been commuting by subway frequently and therefore has more time to play on his mobile phones.This short mobile game mash-up features three gems from Southeast Asia that entertain him every day on the way to work!
Nintendo’s Switch console continues to be very successful, not least because many popular games are subsequently ported. So, it’s not surprising that developers Witching Hour and publisher Ysbryd Games from Singapore have also decided to re-release their tactical role-playing game Masquerada: Songs and Shadows for Nintendo’s Little Wonderbox. The game appeared already in May 2019.
For the second time only, the EGX took place in Berlin. As the little sister of the main event from the UK, the EGX Berlin has proved to be a small, but fine gaming event for interesting indies. The EGX pulls its great strength in comparison to big competitors like the Gamescom from its family-friendly environment, short distances and waiting times as well as an altogether relaxed visit. Although blockbusters such as Cyberpunk 2077 and Final Fantasy 7 Remake were also presented and were largely playable themselves, the focus was, as in the year before, on the small indie pearls. At least half of the show floor was dedicated to these games and there was one or the other highlight to discover and try out. In addition to many German and European projects, two games from Southeast Asia also found their way to the EGX Berlin 2019. We at Virtual SEA seized this opportunity to send Andreas to the event to try out these two titles for you.
It’s clear that inspiration for this game was the popular platform adventure Limbo. But unlike its role model, Incubo fails to achieve its brilliance. Too immature are the mechanics, too dirty the programming and too simple the style. Nevertheless, Incubo is perfect for those who are not afraid of any challenge and are interested in scary stories outside the mainstream.
Actually, Virtual SEA is indeed a platform for games from Southeast Asia. Rarely enough, however, Southeast Asia is used as a venue for games from other regions. The British studio Cloak and Dagger Games dares to leave well-known settings and publishes with Sumatra – Fate of Yandi a point’n click adventure set in Indonesia. We would like to take this opportunity to take a closer look at the game.
Nightstream is in its core an endless runner game, as players take control of a runner who is surfing the stream on hoverboards (shouldn’t they be called hovers instead?). Various levels represent the stream’s tube-like architecture in which the runners must avoid traps, collect orbs and power-ups as well as fight enemies. The game is super-fast, so quick reflexes are necessary to reach the end of each level. Fair reset points and the ability to ride the tube in 180 degrees are helpful to that task.
Monster Slayers! “What a generic title for a videogame.”, was probably the first thing we thought when we heard about this game. But its tagline intrigued us: A Deckbuilding Roguelike Adventure. This combination of probably some of the most popular genres today seems worth a look. Is it a great mixture of all those or simply a potpourri of half-baked ideas to jump on a hype train? While Monster Slayers has originally been released on PC by Malaysian developer Nerdook in 2017, we are now looking at the recently ported version for the Nintendo Switch.
Some games are easy to learn and easy to play. Then, there are games that are easy to learn but hard to master. And then, there is Retrograde Arena by Indonesian team Freemergency.
Gamescom 2019 has just closed its doors and it is time for Virtual SEA to look back at the best games from Southeast Asia showcased at the world’s biggest consumer […]
Towertale by Misou Games is an ambitious project for a dev team of only five people. A sidescrolling hardcore boss rush about four adventurers fighting their way up a wish-granting tower, the game boasts a story mode for each adventurer, complete with their own unique dialogue, endings, and cutscenes, and a free mode that lets players fight any unlocked boss with any unlocked character. It certainly aims high, and I’m glad to report that Towertale actually hits its lofty goals. Mostly.
Gambir Studio recently completed the development of their mobile horror game in collaboration with Indonesian cosplayer Lola Zieta. Are you curious about the quality of this unlikely cooperation? Check out the following review!
CryoFall is a 2D survival game by AtomicTorch Studio (Singapore) out on Early Access, where you and a few dozen other humans crash land into an alien world and attempt to rebuild civilization. The scope of this game is honestly quite impressive coming from the perspective of someone new to survival games. The Tech Tree alone goes from building simple campfires to rolling through the alien world in full on power armor toting sci-fi weaponry, and the game apparently boasts the ability to be able to form entire cities with a working currency. The latter part, I, unfortunately, have not yet seen, mostly due to the small number of players in the servers who all who haven’t exactly made efforts to be friendly.
As part of the Berlin gamesweek, this year’s A MAZE festival opened its doors from April 10 to 13 to present talks, workshops and exhibitions from the field of art and culture and playful media. Being the Gamescom’s little artsy-fartsy sister, inclined visitors had the chance to experience mind-blowing VR installations, crazy indie games and other media that go way beyond mainstream gaming. Main topics were inclusion, politics, playfulness, and experimental visuals – all of it with a great and wide international focus
Transferring own biographies and emotional experiences into videogames has been a hit and miss so far. One of the challenges is to make the story fit with the gameplay. We can often discover a discrepancy between both parts, leaving the narrative and the interactive elements in dissonance. With “She Remembered Caterpillars”, we see another attempt to link the heartbreaking testimony of Malaysian writer Cassandra Khaw with a clever puzzle mechanic. Does it succeed to deliver a satisfying union?
