Virtual SEA
Games and Gaming from Southeast Asia
At the end of our series of the most anticipated games 2020, we are going to Thailand. Here are three indie highlights that could not be more different. Here’s why think you should look out for Gunman and The Witch, Timelie and The Last Bug this year.
What games can we expect from the Southeast Asian metropolis of Singapore in 2020? In addition to many new titles from aspiring solo developers and studios, we also note continuity and progress, because some developers have been routinely publishing high-quality games for years. With gamescom asia, Singapore is finally getting a games convention of international format – the perfect stage for game developers from Singapore and all of Southeast Asia. You can read which games we think are particularly noteworthy now.
The time has come to look at the upcoming games from Malaysia. If you check out our list, you might not even know where to start. In any case, there is something for every gamer, whether on playing on console, PC or mobile device – so let’s go!
The year 2020 has already started so it is about time to look at the upcoming game releases. And what a year it will be for fans of the Indonesian gaming scene! Indonesia has by far announced the longest list of games for 2020. In recent years, it has been shown that Indonesia can produce quantity as well as quality. Will this trend continue in the new year?
The end of 2019 is very close, so let’s look forward to the upcoming year! After Vietnam, which gaming highlights await us from the Philippines? The country has been producing many titles of ever-increasing quality for all kinds of platforms and is known as a pioneer for Southeast Asian game development. Among the best games of 2019 from the Philippines were Bayani, Towertale or Love Esquire. Let’s now take a look at some confirmed releases for 2020!
The end of 2019 is approaching, so let’s look forward to the upcoming year! Which gaming highlights await us from Vietnam? The country is best known for its free-to-play games for smartphones and tablets, and one of the particularly good representatives last year was Boom Battlefield. But what about the developers who develop for PCs and consoles? Here are two exciting games that have been announced for 2020.
Lately, our wordsmith Andreas has been commuting by subway frequently and therefore has more time to play on his mobile phones.This short mobile game mash-up features three gems from Southeast Asia that entertain him every day on the way to work!
For the second time only, the EGX took place in Berlin. As the little sister of the main event from the UK, the EGX Berlin has proved to be a small, but fine gaming event for interesting indies. The EGX pulls its great strength in comparison to big competitors like the Gamescom from its family-friendly environment, short distances and waiting times as well as an altogether relaxed visit. Although blockbusters such as Cyberpunk 2077 and Final Fantasy 7 Remake were also presented and were largely playable themselves, the focus was, as in the year before, on the small indie pearls. At least half of the show floor was dedicated to these games and there was one or the other highlight to discover and try out. In addition to many German and European projects, two games from Southeast Asia also found their way to the EGX Berlin 2019. We at Virtual SEA seized this opportunity to send Andreas to the event to try out these two titles for you.
Actually, Virtual SEA is indeed a platform for games from Southeast Asia. Rarely enough, however, Southeast Asia is used as a venue for games from other regions. The British studio Cloak and Dagger Games dares to leave well-known settings and publishes with Sumatra – Fate of Yandi a point’n click adventure set in Indonesia. We would like to take this opportunity to take a closer look at the game.
Nightstream is in its core an endless runner game, as players take control of a runner who is surfing the stream on hoverboards (shouldn’t they be called hovers instead?). Various levels represent the stream’s tube-like architecture in which the runners must avoid traps, collect orbs and power-ups as well as fight enemies. The game is super-fast, so quick reflexes are necessary to reach the end of each level. Fair reset points and the ability to ride the tube in 180 degrees are helpful to that task.
Monster Slayers! “What a generic title for a videogame.”, was probably the first thing we thought when we heard about this game. But its tagline intrigued us: A Deckbuilding Roguelike Adventure. This combination of probably some of the most popular genres today seems worth a look. Is it a great mixture of all those or simply a potpourri of half-baked ideas to jump on a hype train? While Monster Slayers has originally been released on PC by Malaysian developer Nerdook in 2017, we are now looking at the recently ported version for the Nintendo Switch.
Some games are easy to learn and easy to play. Then, there are games that are easy to learn but hard to master. And then, there is Retrograde Arena by Indonesian team Freemergency.
Gamescom 2019 has just closed its doors and it is time for Virtual SEA to look back at the best games from Southeast Asia showcased at the world’s biggest consumer […]
Gambir Studio recently completed the development of their mobile horror game in collaboration with Indonesian cosplayer Lola Zieta. Are you curious about the quality of this unlikely cooperation? Check out the following review!
As part of the Berlin gamesweek, this year’s A MAZE festival opened its doors from April 10 to 13 to present talks, workshops and exhibitions from the field of art and culture and playful media. Being the Gamescom’s little artsy-fartsy sister, inclined visitors had the chance to experience mind-blowing VR installations, crazy indie games and other media that go way beyond mainstream gaming. Main topics were inclusion, politics, playfulness, and experimental visuals – all of it with a great and wide international focus
In Cinema 14, players take over the role of a girl falling asleep during a show and awakening being trapped in a deserted movie theater. By choosing the seat of a long-lost child, she unknowingly triggered a deadly curse. Now, she needs to unravel the mysteries of the child’s fate, reconstruct the events and escape the cinema. Since the game is made in Malaysia it features many references to Malaysian cultures and mythologies, which adds a nice touch to an otherwise interesting but common storyline.
